American
Sarah Ruhl's career began in the early 2000s with experimental work that caught the attention of major American theatres, culminating in the success of *The Clean House*, which established her as a playwright of rare formal invention and emotional intelligence. Her subsequent plays—including *Passion Play*, *In the Next Room*, and *The Oldest Boy*—have deepened her exploration of desire, loss, and the intersection of the personal and historical, earning her a MacArthur Fellowship and cementing her status as one of the most important American playwrights of her generation. She continues to create work that challenges theatrical convention while remaining rooted in profound human observation.
MacArthur Fellowship (2006); Pulitzer Prize finalist for *In the Next Room (or the vibrato)* (2010)
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