Sascha Reckert

Career Trajectory

Beginning in 1985 after hearing Bruno Hoffmann's recordings, Sascha Reckert taught himself the glass harmonica and began constructing instruments when commercial examples proved unavailable. His breakthrough came in 1991 with the reconstruction of original glass harmonica parts for Strauss's *Die Frau ohne Schatten* at the Salzburger Festspiele, establishing him as the world's foremost authority on the instrument. Over three decades, he has become an indispensable figure in historically informed opera performance, reconstructing lost instrumentation for major houses while simultaneously advancing glass music scholarship and composing new works for instruments he himself invented.