David H. Koch Theater

Agon stands as one of the twentieth century's most consequential abstract ballets—a landmark collaboration between Igor Stravinsky and George Balanchine that premiered in 1957. The work distills ballet to its essential formal properties: twelve dancers engaged in a ritualized contest of pure movement, stripped of narrative, décor, or emotional coloration. Stravinsky's score, composed in his serial technique, matches Balanchine's neoclassical vocabulary with mathematical precision, creating a work that functions simultaneously as athletic competition, intellectual exercise, and aesthetic statement. The ballet's influence on subsequent modernist choreography cannot be overstated; it established a template for abstract dance that remains vital in the repertoire.