The Journal
Deep reporting, historical inquiry, and expert analysis across the performing arts. Written for the audience that stays after the curtain falls.
Whether HD broadcasts and streaming help or hurt ticket sales — and what the data actually says
The evolution of casting practices from tokenism to conscious choice
How The Rite of Spring has been reimagined across a century of dance
Six decades of crisis, reinvention, and survival in Broadway's most resilient art form
How five landmark productions reimagined Wagner's tetralogy for a post-industrial world
How three institutions approach the same playwright — and why each gets different results
Comparing the approaches that define opera's central interpretive debate
Why the same musical feels fundamentally different in New York and London
Why the most revived composer in musical theatre remains the hardest to get right
How Matthew Bourne's all-male reinvention illuminates the original
The forgotten female producers, designers, and directors who shaped the American musical
The extraordinary, disturbing history of opera's most celebrated and most exploited singers
Five principal dancers on aging, artistry, and the roles that changed them
The subversive political history of American musical theatre, from Show Boat to Assassins
Diaghilev's revolutionary troupe didn't just transform ballet — it rewired the relationship between dance, music, and visual art
Classical technique meets modern demands: how vocal pedagogy is adapting to a changing art form
The technical crew who make dancers fly — and the trust that makes it possible
A history of audience participation in theatre, from Artaud to Sleep No More
Eight shows a week, invisible to the audience, essential to the art
Three directors on how they build a production from the first read-through to opening night
The economics and artistry of being perpetually ready and rarely seen
How Callas, Kabaivanska, and Netrebko each reinvented Puccini's impossible heroine
Behind the satin and ribbons lies a $200 million industry built on tradition, injury, and incremental innovation
The uneasy truce between accessibility and artistic purity in the opera house
The tension between directorial interpretation and authorial intent has never been more acute
From the 1918 flu to COVID-19 — every time the lights went dark, and how they came back on
How a single ballet subsidizes entire seasons — and what happens when it stops working
Three music directors on what the audience never notices — and why it matters
How ballet's greatest artists escaped the Soviet Union — and changed Western dance forever
From Beckett's insistence to Lin-Manuel Miranda's empire — how writers seized the stage